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From “Breaking Bad” and “Atlanta” to “Fleabug” and “Bojack,” these are the best written TV shows from 2010 to 2019.
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By Hanh Nguyen, Ann Donahue, Ben Travers, Libby Hill, Steve Greene, Tambay Obenson, Tyler Hersko
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Welcome to the era of peak TV or the Gilded Age of television – you can thank FX head John Landgraf for coining both of those words – when the surprise of friends on the small screen led to the confusion of Serial words. It is not only that the crowded market has pushed developers to become more innovative and bold in their work to get noticed; The definition of what television is and how to watch it has gained a freedom never seen before in history.
Do you want the revival of an avant-garde series that refers to a wildly fine cup of coffee? Are you itching for a show like “The Good Wife” but even more advanced? Want to revisit the cute Minnesota flavor of a 1990 Coen Brothers movie? Want funny words with an existing crisis? There is a series for each of those interests.
The level of excellence on the small screen, however, did not come by chance, as Athena is completely grown from the head of Zeus. No, television has been on a steady ride since the Golden Age, which critics estimate began around 10 years ago. Therefore, a group of television experts felt it necessary to celebrate some of the best television shows of the last decade.
With so many TV shows on offer, it seems like it makes sense to set strict guidelines to narrow the field. This is not an easy task and it causes endless arguments and gnashing of teeth. But in the end, the rules of engagement for this list are as follows:
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To qualify, a show must have aired most of its run during the 2010 – 2019 range, inclusive. The show must be scripted—whether it’s a drama, a comedy, a limited series, or an anthology series. You have to measure the whole series, not just one spectacular or an abysmal season. Likes a show is not enough; The series must also have an impact on culture. Even with the strict requirements, there were a number of options to choose from, and below are the 50 best of the best (in addition to some honorable mentions).
While this is a general list of the best shows, we’ve also broken down the TV standouts of the decade by other criteria: the best overlooked shows of the last 10 years; The best music videos – complete with videos of everyone you can watch; The most powerful TV moments, from Beyoncé at the Super Bowl to Brett Kavanaugh’s confirmation hearings; The best TV shows of the decade, ranked; And the best TV costumes of the last decade.
So, as we reach the end of the 10 years, let’s have it. What a time for the couch potato to be alive!
Kudos to AMC for looking beyond its “Walking Dead” franchise to “The Horror,” an anthology season drama that looks at historical events through the lens of horror and the supernatural. In its first season, the series offered a fictional account of Captain Sir John Franklin’s lost expedition to the Arctic in the 1840s in which two Royal Navy ships became ice-bound on the West Coast and left no residue. The beauty of the first installment is how – despite a relatively static setting and a large cast that must be distinguished by their facial hair – the show manages to build an atmosphere of paranoia, claustrophobia, and yes, terror. Supernatural touches, such as the mysterious creature known as Tuunbaq, give the series an extra awesomeness, while an exceptional cast from Jared Harris to Tobias Menzies connects the show to reality. Such extraordinary specific circumstances only help to amplify the ways in which humanity reacts in times of great need. The best execution of Season 1 is well suited for the second season, which places a Japanese ghost in an internment camp during World War II.
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Two out of three ain’t bad – especially when two seasons are as amazing as these. In 2014, “True Detective” started a trend that will change Hollywood for the foreseeable future. Limited series offer a compromise between audiences demanding longer stays with their movie stars and movie stars’ preference for movies. While the viewers hope for more time with Matthew McConaughey than a two-hour movie can offer (especially during the McConaughey), the actor does not have to sacrifice to get the many important roles offered to him (especially during the McConaughey) – not when He may produce eight episodes of “True Detective,” a one-and-done miniseries that begins a new mystery each season. Recently, other writers have taken up the Nic Pizzolatto model, and the limited series revival brought us an explosion of stellar miniseries – many of which are on this list. But where “True Detective” goes beyond the corporate role. The first season is a testament to the dynamic beauty of what is put on the page, as Cary Fukunaga adds a touch of humor, intensity and texture to Pizzolatto’s labyrinthine mystery. Also, the writer and director work as partners on the screen: maybe they are not compatible, but together they produce something that they could never achieve. Season 3 had similar success in improving the structure, changing the partner (Carmen Ejogo played as much partner as Stephen Dorff), and benefiting from an impressive central role. Season 2? Let’s not go there. Two out of three is not bad.— BT
In an era where the middle class is quickly being erased from reality, NBC’s “Superstore” offers an unapologetically hilarious look at work at a Midwestern big box store, where employees flirt with each other — and the poverty line. But on the surface “Superstore” may seem like just another workplace sitcom, in fact, the series follows a tightrope, working head-to-head with issues that press thousands of issues of the cultural world, including gun control, parental leave, Sex, work, and undocumented immigration, all while remaining one of the funniest shows of the decade. Anchored by Mark McKinney, Ben Feldman and a dynamite America Ferrera, it has all the pathos of a Michael Schur show and all the absurdity of a Greg Daniels show, mixed with a healthy dose of retail hell. Here’s your favorite show you haven’t seen yet. – LH
There is no other show on television quite like Netflix’s “One Day at a Time,” not because the central family is Cuban-American, or because it’s shot in the increasingly rare multi-cam sitcom format. “One Day at a Time” is unlike any other series because it evokes warmth and humanity, both for the characters on screen and the audience watching at home. Produced by Gloria Calderon Kellett and Mike Royce, with supervision from Norman Lear himself, the series highlights the problems the family faces, including racism, homophobia and PTSD. Never one for high-mindedness, “One Day at a Time” takes issues on their own level and without guile. The bracelet is a foundation for the soul and a reassurance in difficult times that love and kindness are not only real, but still possible.- LH.
The CBS All Access series, which picks up behind the scenes in the final episode of the CBS series “The Good Wife,” enters its third season after an exciting Season 2, helping to keep it among the best of television in 2018. The series becomes even more political as the lawyers at the top-shelf African-American owned Chicago law firm Reddick, Boseman & Kolstad are pushed further into the madness that is the current urban climate at home, deciding to take on Trump. But it is less of a series that preach to what we see as a liberal poet, and instead has the skill to satirize the left. In fact, one of the most memorable events of this period confronts the more common and more powerful racist attitudes, as opposed to the public, as white professionals. This season sees Diane Lockhart (Kristin Baranski) continue her vigorous efforts to challenge the current administration; Adrian Boseman (Delroy Lindo) and Liz Reddick-Lawrence (Audra McDonald) are forced to deal with the past of a recurring injury; Maya Rindl finds herself in a dogfight with the sly Roland Bloom (Michael Sheen); And finally Lucca Quinn (Cush Jumbo) tries to balance life as a mother with the increasing pressures at work. Through it all, the series is not too far from the zeitgeist, with enough madness that is close to the times. – from
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Rarely is a show that can work as a series with a different style of violence, a chronological arrangement of fights, and a long story about knowing who your real friends are. Make this change from Elmore Leonard’s Rule of the Week show
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